Text / Lian Miao
Wang Qisheng's landscape painting originates from nature, the natural life that he draws is concentrated on a boundless virtual white. In this virtual white, there is a tree, a stone, a hill and a gully, and a mountain and a water, which are loaded with boundless deep meaning and boundless affection.
All immersed in the love of the nature, the ethereal and deep secluded vague unrest. To give the audience a feeling is a transparent soul comfort and rather subtle comprehend.
Mountains and rivers, plants and trees, create nature, create the environment by heart, and convey the heart by hand. Empty but real is to have nothing in the brush and ink. His paintings reach the highest mental state from the full hue, which is the manifestation of Zen, and all kinds of circumstances, as a result of this.
This is the birth of his deepest understanding and shock when he was in touch with "heart source" and "nature". It has become an organic harmonious artistic form to express its artistic conception.
This artistic conception is reflected in his paintings. Through his own conception of organizational line, point, light and color...... He created the artistic style of his own, his painting style is strict, the great silence of the great beauty, brush and ink are thick, but force uniform, the picture is composed of ingenious.
The painting is mostly made of long cloak chapped, and the center is written out, the brush is smooth and the mountain is not changed too much, it is simple and thick and rich, to accumulate ink without being expose.
The ink flowers flying, melt into one piece with the white on the painting. "False and true, no brushwork all into wonderland." He realized the emptiness elements in the realm of art, set the real scene with emptiness, and the air of ink emitted, four-table infinity.
Through "realistic", "freehand", and "wonderful insight", teacher Wang Qisheng, because of his "wonderful insight", "through the theory of Hong Meng, to keep a hundred generations of strange", cutting away of all the epidermis, showing the glittering and translucent reality of the display. And then inherit the context of Chinese painting.
This exhibition of Wang Qisheng's solo landscape painting is not only a regular exhibition, but also a start of the revival of positive pulse. I wish the painting exhibition a great success!